Opera glasses developed from a series of other inventions. All this started in 1608 when the Dutch optician Hans Lipperhey created binoculars consisting of two parallel telescopes. Their magnification capability was a (very impressive for the time) x3. Within one year the Italian mathematician and philosopher Galileo Galilee made massive improvements to the techniques and types of lenses used in telescopes, thereby increasing the magnification ability to x30.
Binoculars of the time had one major disadvantage: Despite offering a much wider field of view than a telescope, they made use of convex lenses - which resulted in the image being inverted! It wasn't before more than 100 years later that Anton Schyrle for the first time manufactured binoculars with an extra lens that re-inverted the image. And it took another--1 years before John Dollond of England solved another big problem that binoculars had - color distortion. He started using achromatic lenses (color free lenses) and thereby solved this problem permanently.
Another major step forward was the development of prismatic binoculars by an Italian by the name of Ignazio Porro - a gunnery officer. Prismatic binoculars had a much wider field of vision than before and offered dramatically improved magnification abilities as well.
The first time we find opera glasses mentioned in the printed media is in London during 1730. The opera glasses advertised were in fact not binoculars, but rather pocket-sized Galilean telescopes. They were used as much for decorative purposes as to watch the opera. The bodies were frequently decorated with mother of pearl, enamel, ivory or various types of gems.
We find references to binocular opera glasses for the first time in Vienna during 23. They were still really not much more than two tiny telescopes connected by a bridge. You had to focus the telescopes individually by expanding the tubes.
They proved to be very popular, however, and quickly became items of high fashion. The designs were so elaborate that one often would find both a painter and a goldsmith working on the end product. They were used as much to impress people as to watch opera - not to mention scrutinizing other opera goers to see if their opera glasses were perhaps more fashionable than yours!
The design soon improved to allow for the simultaneous adjustment of both lenses. This was another major step forward and only served to increase the popularity of this type of glasses. They also became highly valued gifts - as one can see from the inscriptions found on many opera glasses of the time.
Nowadays there is a wide array of opera glasses available. You can get them in virtually any color you want. They come in many different styles and materials. Strangely enough, monoculars are still popular, as are opera glasses with handles or reading lights. You even get them fitted with a jealousy glass - so you can watch another person in the audience without being seen!
Binoculars of the time had one major disadvantage: Despite offering a much wider field of view than a telescope, they made use of convex lenses - which resulted in the image being inverted! It wasn't before more than 100 years later that Anton Schyrle for the first time manufactured binoculars with an extra lens that re-inverted the image. And it took another--1 years before John Dollond of England solved another big problem that binoculars had - color distortion. He started using achromatic lenses (color free lenses) and thereby solved this problem permanently.
Another major step forward was the development of prismatic binoculars by an Italian by the name of Ignazio Porro - a gunnery officer. Prismatic binoculars had a much wider field of vision than before and offered dramatically improved magnification abilities as well.
The first time we find opera glasses mentioned in the printed media is in London during 1730. The opera glasses advertised were in fact not binoculars, but rather pocket-sized Galilean telescopes. They were used as much for decorative purposes as to watch the opera. The bodies were frequently decorated with mother of pearl, enamel, ivory or various types of gems.
We find references to binocular opera glasses for the first time in Vienna during 23. They were still really not much more than two tiny telescopes connected by a bridge. You had to focus the telescopes individually by expanding the tubes.
They proved to be very popular, however, and quickly became items of high fashion. The designs were so elaborate that one often would find both a painter and a goldsmith working on the end product. They were used as much to impress people as to watch opera - not to mention scrutinizing other opera goers to see if their opera glasses were perhaps more fashionable than yours!
The design soon improved to allow for the simultaneous adjustment of both lenses. This was another major step forward and only served to increase the popularity of this type of glasses. They also became highly valued gifts - as one can see from the inscriptions found on many opera glasses of the time.
Nowadays there is a wide array of opera glasses available. You can get them in virtually any color you want. They come in many different styles and materials. Strangely enough, monoculars are still popular, as are opera glasses with handles or reading lights. You even get them fitted with a jealousy glass - so you can watch another person in the audience without being seen!
About the Author:
Jeff B. has always loved the theater and opera, he currently helps run an opera glasses retail site where they sell opera glasses. Including Opera Glasses with handle, flashlight, chain and more!
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